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The Un-Gyve Limited Group

  • The Un-Gyve Limited Group
  • BIS BIS
  • DOMUS
  • ISOLE
  • UN-GYVE
  • CO-OP-PRODUCTION
  • shop
  • NEWS & EVENTS
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Departures

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EASY CONNECT Installation Box

EASY CONNECT Installation Box

Simplicity

January 18, 2021

Easy by Device

With our Easy Connect installation box, you can install showers and baths safely and in next to no time. We've preassembled all the components for you in the box. You connect them to the water supply and fit the box in the floor. Plug and Play.

Easy Connect can also be combined with any freestanding and built-in baths; and slightly raised shower trays with minimum support are also compatible with the installation box.

Ready for Easy Connect?

EASY CONNECT

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Fit showers and baths easily, no complications and no leaks, our Easy Connect box is tested to ETAG 022.

The waterproof box can easily be integrated with the sealing collar that is included in the delivery. The pre-assembled sealing collar complies with DIN 18534 / ÖNORM B3407. There is no need for additional sealing on the rim of the bath.

All the required components are pre-assembled in a box during manufacture at the works – simply connect the external pipework.

Installation height is flexible with an adjustment range of 105 – 205 mm.

The box makes maintenance tasks safe and easy, and takes on the control function of the outlet if a leak is suspected.

It can be combined with all freestanding and built-in baths, as well as barrier-free shower trays with minimum support.

 
In DEVICE, EXTRAS, INSTALLATION EQUIPMENT Tags innovations, options, Collection No. 227, Collection No. 228
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Warranty

January 18, 2021

Durable by Device

A lot can happen in three decades. So it’s good to know what you can rely on. Built to last until your skin wrinkles (not from water) all our titanium steel enamelled elements are backed by a 30-year trade warranty.

BEHIND THE WARRANTY

 
 
In DEVICE Tags innovations, Collection No. 226, Collection No. 227, Collection No. 228
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Finishes with thirty years behind them.

Finishes with thirty years behind them.

Behind the Warranty

January 18, 2021

Durable by Device

A lot can happen in three decades. So it’s good to know what you can rely on. Built to last until your skin wrinkles (not from water) all our titanium steel enamelled elements are backed by a 30-year trade warranty.

We can only fulfill this decades-long promise by BETTE because of a team that combines experience and competence with passion. We’d like to introduce two of these dedicated individuals to tell you just why and how we guarantee to bring you the best.

The Heart of Production

30 years contain 30 years of experience, passion, an eye for detail and much more. Two people who have all this are our machine technician Frank Gnaase and enameller Reinhold Lohkemper. For decades, they have been working hard in BETTE manufacturing and enamelling works to provide the highest quality.

Our enamelled titanium steel products will last for a very long time. We guarantee this for thirty years. It takes experience for something to last this long. And people like Frank Gnaase, head of manufacturing. A man who’s been here for decades, and knows every corner of the place. And when he wends his way through this high-performance unit, it’s as if he were showing his living room at home.

He is able to operate all the machinery, and in fact helped to developed much of it. He can still remember how much harder people had to work when there was less technology. He is someone who keeps his cool even in the midst of flying sparks in the welding booth.

A 30-year guarantee is quite a promise. Behind it is another characteristic that Frank Gnaase has: openness. Because he is the man that designers and the development department come to with their new ideas: unusual shapes, spectacular designs, elegantly pared-down projects. “We're a pretty bold bunch here,” says Frank Gnaase. And the pride that this statement holds demonstrates quite clearly that he loves a challenge.

Then there’s determination. After all, he is the man who sits down with his colleagues so they can work out together how to turn the sketches into actual baths, shower areas or washbasins.

Products that not only set standards worldwide, but that also represent a company family’s collaboration and a family company’s customary high quality. Forward-thinking innovation combined with Westphalian craftsmanship and engineering skills. Products that justify the 30-year guarantee.

FLOOR: a concept changed the market, and is today the global standard.

Something else that is required is an eye for detail. We achieve the special durability and smoothness of our baths, shower surfaces and washbasins using a wet-in-wet enamelling technique we’ve been perfecting for decades. The procedure permanently binds three ultra-thin layers of our special enamelling formula to the titanium steel carcass in two firing steps at 850°Celsius.

Colleagues like Reinhold Lohkemper are requisite for this to work. 

Reinhold Lohkemper, shift supervisor in the enamelling works, can tell straight away whether the outcome is right. He checks the fired products when they come out of the furnaces. And finds the problem when the complex track system that carries the goods through the halls comes to a halt.

Reinhold Lohkemper has a keen sense for these things. He‘s been working with the Bette factory for over 30 years. Now his hair has turned grey, the children have long since grown up, and grandchildren have come along. There’s plenty of honest work and almost half a lifetime in 30 years. And in fact, you can ask Reinhold Lohkemper himself what you have to do to make sure the quality is right in the end.

He talks about the closeness amongst colleagues, the barbecues they have enjoyed together, the Turkish weddings, and how they sit down together over cake when one of the shift workers has a birthday – and it’s quite clear that there is a close attachment, a rootedness, deep feelings.

A pause, his eyes shining, because now he’s come to what is most important to him: "Every year there’s a new sensation here at Bette! A new colour, a great shape, some kind of fantastic model! And then I have to work out how I’m going to get it through the furnace." He laughs. "It’s something I always look forward to." 

And one thing is clear: above all, you need enthusiasm.

A quality promise demands a lot. It takes people like Reinhold Lohkemper, Frank Gnaase and around 380 other fabulous members of staff to produce the exclusive Bette bathroom products. Products that will last for a long time. We guarantee this for 30 years.

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Frank Gnaase: Head of Manufacturing
Frank Gnaase: Head of Manufacturing
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Reinhold Lohkemper: Shift Supervisor Enamelling Works
Reinhold Lohkemper: Shift Supervisor Enamelling Works
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thermoformed.jpg Frank Gnaase: Head of Manufacturing Bild_Gnaase_02.jpg Bild_Gnaase_03.jpg energy.jpg Reinhold Lohkemper: Shift Supervisor Enamelling Works Bild_Lohkemper_02.jpg Bild_Lohkemper_03.jpg Finishes.jpg
 
 
In DEVICE Tags innovations, Collection No. 226, Collection No. 227, Collection No. 228
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Sustainability: Over 400 Colours — All Green (Naturally)

January 18, 2021

Sustainable without Sacrifice by Device

This is how sustainability works for us: we combine colour choice with tough natural materials. Scratchproof, impact-proof, UV resistant, hygienic — and pure, of course: the hard-as-glass, non-porous surface BetteGlaze® goes through fire by device. Three ultra-thin layers of our enamelling formula are permanently combined with the titanium steel form in two firing steps at 850° Celsius. If something lasts a long time, it’s much better for the environment. No sacrifice of design options and no sacrifice of nature.

The colour elements are already added to the enamel while it is still in the unfinished state: Black. Snow. Dust. Hazel. Sorento Blue. Sunset. Flint. Moss Green. And some 390 others in matte or gloss finish.

Sustainability is important to us. And has been for over 60 years.

Back in 1952, we opted for the natural materials steel and glass. The careful use of natural resources is something that is very close to our hearts — sustainability is a program for Bette, not a trendy buzzword.

Clean ProductionEvery product individually made entirely without chemicals and solvents.

Clean Production

Every product individually made entirely without chemicals and solvents.

Ecological CompatibilityEnvironmentally-friendly production and durability, ideal for sustainable building projects.

Ecological Compatibility

Environmentally-friendly production and durability, ideal for sustainable building projects.

High DurabilityExtremely robust and remain permanently brilliant so better for the environment.

High Durability

Extremely robust and remain permanently brilliant so better for the environment.

Durable AestheticsEnduring design that satisfies for decades.

Durable Aesthetics

Enduring design that satisfies for decades.

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Absolute TransparencyVerified to the Environmental Product Declaration as per ISO 14025, and the U. S. Green Building Council as per LEED.

Absolute Transparency

Verified to the Environmental Product Declaration as per ISO 14025, and the U. S. Green Building Council as per LEED.

Short RoutesRegional partnerships with local companies for efficiency of time and fuel and conservation of natural resources.

Short Routes

Regional partnerships with local companies for efficiency of time and fuel and conservation of natural resources.

Sustainable ProductionMaterials utilized with maximum efficiency for minimum waste. Optimised processes for reduced material consumption. Regenerative sources when the sun is shining to generate 2/3 of the energy requirements for manufacturing proce…

Sustainable Production

Materials utilized with maximum efficiency for minimum waste. Optimised processes for reduced material consumption. Regenerative sources when the sun is shining to generate 2/3 of the energy requirements for manufacturing processes.

Local ProductionAll products manufactured exclusively on site in the  Delbrück factory — local production for more effective environmental stewardship.

Local Production

All products manufactured exclusively on site in the Delbrück factory — local production for more effective environmental stewardship.

100% RecyclabilityAll of our enamelled elements are wholly recyclable.

100% Recyclability

All of our enamelled elements are wholly recyclable.

 

“We are firmly committed to sustainable industry. Thinking ecologically, acting responsibly and sustainably – that has always been a principle by which the whole company lives. So what exactly does that mean? We contribute to the environmentally-friendly use of natural resources by carefully selecting our materials and using energy efficiently and sparingly. Another key factor is that the design quality should be permanently valid. Durability applies both to the design language and to the material.”

Thilo C. Pahl, Managing Partner

 

Abundance of Colour

Sustainable and a sense for trends is not a contradiction in terms. This is evident from a look at the Colour Trends 2020 by the Natural Colour Academy in Sweden. Its main topic for the new decade: Awareness. The open look at colours that reflect topics that move us today and at the same time are of the future. This is what inspires Bette. Does it you?

We frequently cast our eye towards Scandinavia when it comes to design trends, and when we find something exciting, we share it. Like the work of the Natural Colour Academy in Stockholm. In Colour Trends 2020, the Swedes have developed their own colour system that defines colour standards for the new decade across all applications in architecture or product design. The approach: colour is the expression of the current moment. This also includes what we emotionally associate with it, what moves us and shapes us for the future. This additional passionate dimension is what makes the Swedish trend researchers’ colour scheme so inspiring.

Every shade has its own effect.

We like this keen feeling for colourfulness, because it matches our own use of materials and shapes. There’s a thought, a philosophy, in every nuance. Shades of Incognito are greys and browns that we can’t get enough of. They represent our design for privacy in a world that is increasingly digitally controlled. The reds and pastels in the New Masculinity colour palette create a tasteful space that celebrates the individual, celebrates being human, questions traditional stereotypes, and breaks down boundaries. The colours become smart with the shades of blue in Human Identity that reflect the merging of human and artificial intelligence.

Natural accents are provided by the rust red and bright blue shades in the Evolving Eclecticism concept that reminds us to use resources with care. Have you noticed anything yet? These are not only colours, but also the social trends that surround us today. The Natural Colour Academy has combined them under the topic of Awareness.

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©NCS Colour AB

"This awareness affects every aspect of life; how we live, how we consume, and how we feel as people…."

Colour Experts, Natural Colour Academy

Colours for a new decade

A place of permanence, a sustained sense of pleasure from from the space you live in the day after tomorrow and today. The Colour Trends 2020 illustrate that you can change your awareness as you address the colours of your surroundings.

Who are you, and who would you like to be? What matters to you? The Colours Trends 2020 are an invitation to reveal your personality through colour, and to be more mindful with yourself and your environment. 

This is not a contrast to the purism held dear, it is a dimension of awareness that beautifully complements our philosophy. We think white is exciting, but sometimes it needs a little variety for a fresh impulse, a different mood, a new expression of self — the Colour Trends 2020 satisfies this need.

This carefully chosen selection is sure to contain plenty that will suit everyone. And for even broader options of expression: we have a total of more than 400 shades to select from and inspire every design project.

MATERIAL

COLOURS

 
In DEVICE Tags innovations, Collection No. 226, Collection No. 227, Collection No. 228
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AESTHETIC portrait.

AESTHETIC portrait.

Aesthetically Speaking

January 18, 2021

Aesthetic Value by Device

Design that leaves one speechless even when not submerged in water.

 

“Our products are part of the architecture: a carefully designed environment which makes it possible for people to experience themselves in entirely new ways. How do we make this happen? We combine beautiful designs with technical skills, and so create rooms of a high aesthetic added value.”

Thilo C. Pahl, Managing Partner

 
AESTHETIC landscape.

AESTHETIC landscape.

Aesthetically Speaking

With Cyrus Ghanai

Portrait of Cyrus Ghanai © Michel Comte

Portrait of Cyrus Ghanai © Michel Comte

A chrome plate that becomes a mirror? Cyrus Ghanai has just included one in the design for a client’s bathroom because he likes to shave in the shower. The idea is typical Ghanai: the interior designer is one of the most highly profiled bathroom planners in Germany, and a creative lateral thinker of the “scene“.

A dance of contrasts.

He combines unusual materials, stages light, creates atmosphere – and in doing so turns tiny wet rooms into high-end bathrooms with personality. Cyrus is one of our partners of long standing when it comes to new ideas and trends. He’s presenting a few of them here.

Self care, calm, relaxation – we all need more of those. So what does a bathroom need in order to become a “this-is-where-I-want-to-be” place?

Atmosphere and light! The existing surfaces in a bathroom are usually hard and robust, for reasons of function and hygiene. So I use light, textiles, colours and contrasting shapes to set a counterpole that creates excitement. The mood changes. Sometimes all it takes is curtains or a roller blind. And if there's enough space, a stool or a bench.

Light, though, should never just fulfil its function. It defines rooms and guides the eye. Spotlights over the washbasin highlight its materiality.

But of course, the face also has to be lit up for applying make-up or shaving. In the shower or bath, by the same token, I can use coved lighting to emphasise the materiality of the wall. Here too, I use spotlights to illuminate the floor because I want to bring out the lovely materiality and colourfulness of the shower.

And of course, music is also important. In the ideal case, I would be surrounded by sound from loudspeakers integrated in the wall and ceiling. Only a detail, but one that makes a big difference: sockets in drawers, so I don't have to keep fiddling around to plug in a hairdryer, curling tongs and the charger for a razor and then unplug them all again. 

Minimalistic, opulence, Boheme – what will the bathroom of 2020 look like?

It will certainly have no, or hardly any joints. Large tiles, up to a metre in width and three metres high, will create a modern look. Carefully positioned water-resistant fleece wallpapers, textured or smooth, and large pictures or coloured areas will add unusual accents. What is lovely about these materials: unlike tiles, I can easily replace them and completely change the style of the bathroom. Coloured ceramics will again be important, especially in natural hues, but also in black and various shades of white. Incidentally, this also applies to the fittings. And brass will be replacing copper!

“The materiality and surfaces of Bette bathroom elements are absolutely well worth being highlighted by daylight and spotlights.“                                                                                                                        …

“The materiality and surfaces of Bette bathroom elements are absolutely well worth being highlighted by daylight and spotlights.“

Cyrus Ghanai

Puristic forms, natural hues and black fittings: Ghanai works with contrast to create a vivid aesthetic.

Puristic forms, natural hues and black fittings: Ghanai works with contrast to create a vivid aesthetic.

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Aesthetically Speaking

With Dominik Tesseraux and Sven Rensinghoff

Sven Rensinghoff and Dominik Tesseraux.

Sven Rensinghoff and Dominik Tesseraux.

Character and emotion.

The bathroom is becoming more and more important as a place of independent architecture. Accordingly, this room demands new design and functions. Freelance product designer Dominik Tesseraux and Sven Rensinghoff, marketing director at Bette, talk about trends and teamwork.

Gentlemen, what does the design of a bathroom tell us about its inhabitants?

DT The bathroom is undeniably the most intimate room. Today it’s no longer about function or status, but character and emotion. For the first time, the bathroom is being seen as a living space, and thus also in a wide range of designs. 

SR And today’s bathroom reveals a great deal about the style of its inhabitants. It now has a vastly different role and significance than it did twenty years ago. It used to be where we went to wash, and that was it. But since then, an entirely new body consciousness has arisen. We now see the bathroom as a feel-good oasis; we spend much longer in there, and create our own individual style world. 

Sven Rensinghoff has worked at Bette since 1996, and is responsible for marketing and product management. He has been a member of the Executive Board since 2017.

Sven Rensinghoff has worked at Bette since 1996, and is responsible for marketing and product management. He has been a member of the Executive Board since 2017.

So where is the trend you describe headed, and which products have been Bette's response to it so far? 

SR We worked with Dominik to develop the BetteLux Shape line, which is a complete furnishing concept in which the bath, rather than just being randomly placed anywhere, is a self-confident part of the bathroom architecture and thus also of the whole house. The washbasin, freestanding mirror and stool were then added as natural follow-ons. We took this concept a little bit further with the BetteLux Oval Couture line, the first collection to be clad in padded fabric. 

“Glazed titanium steel is our DNA.”

Sven Rensinghoff Marketing Manager at Bette

 

What is the significance of the material? 

SR Very high. After all, glazed titanium steel is our DNA. That’s what we can do. We are convinced that it is the best material for the areas of application that we work with. 

DT And glazed steel allows us to give the products an unmistakable character. In fact, the classic manufacturing process has only changed marginally over the decades. This is where we need to start in the future in order to achieve a wider range of design and functionality. 

What are the strengths of your cooperation? How do you complement each other, who contributed what?

DT It’s an interplay in which the design usually provides the impetus for new thinking. The discourse is very important, and this then also reveals the true quality of the cooperation. One example of this process is the eight millimetre folded edge: it was initiated by the design. We quickly saw the potential, and so everyone created a distinctive feature for Bette.

SR We complement each other, and it regularly breaks through our reserve and motivates us to take the next step. It’s good that someone from outside provides us with food for thought and sets processes in motion. Even though not everything can always be implemented one to one, but that’s part of the dialogue between designer and company.

 

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“Products are becoming more emotional and intimate.” 

Dominik Tesseraux, freelance product designer 

What are the strengths of your cooperation? How do you complement each other, who contributed what?

DT It's an interplay in which the design usually provides the impetus for new thinking. The discourse is very important, and this then also reveals the true quality of the cooperation. One example of this process is the eight millimetre folded edge: it was initiated by the design. We quickly saw the potential, and so everyone created a distinctive feature for Bette. 

SR We complement each other, and it regularly breaks through our reserve and motivates us to take the next step. It's good that someone from outside provides us with food for thought and sets processes in motion. Even though not everything can always be implemented one to one, but that's part of the dialogue between designer and company. 

 
Dominik Tesseraux lives and works in Potsdam. After training as a cabinetmaker and studying design, he worked at various well-known German design offices. He founded tesseraux+partner in 2001.

Dominik Tesseraux lives and works in Potsdam. After training as a cabinetmaker and studying design, he worked at various well-known German design offices. He founded tesseraux+partner in 2001.

More on tesseraux+partner BEHIND THE LINES.

In DEVICE Tags innovations, Collection No. 226, Collection No. 227, Collection No. 228
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Safety

January 18, 2021

Safe by Device

Antislip Pro prevents slips in the shower or bath, but is virtually invisible. The optical and functional qualities of BetteGlaze® are retained in full.

Developed in response to the fact that, increasingly, the shower areas that are being installed today are much bigger than those of only a few years ago. Thomas Klöwer, Head of Application Technology for Bette, explains: '“Whereas a size of 90 x 90 cm used to be considered the standard, there is more and more demand today for showers of 140 x 90 cm or even larger. This gives the user more freedom of movement when showering. However, this should not be at the cost of safety. Consumers should continue to be able to stand safely in the shower without the risk of slipping.” And that is what Anti-Slip Pro is for. “We never stop questioning our products based on the requirements of fitters, architects, planners, technicians, tilers and other customer groups.”

Matthias Rampsel, Product Manager, emphasises the teamwork that is behind this development.

“Above all, the continuous exchanges with architects, planners and installation engineers are extremely important. This enables us to better understand their needs, and means we are really close to our customers. We use these experiences as the base for internal panels of experts and Open Innovation Workshops.” We are able to develop new ideas on this basis, and strengthen our own innovativeness. “Our products and solutions are the result of our desire to offer our customers even more optimum solutions. And we do!”

The unequalled evenness of our shower areas is achieved using a wet-in-wet enamelling technique perfected over decades. The procedure permanently binds three ultra-thin layers of our special enamelling formula to the titanium steel carcass in two firing steps at 850° Celsius. 

In order to give a shower area a special protective finish, a different grain is added to the enamel before it is applied to the blank. The resulting natural material has a lightly matted surface that is very slightly rough: Anti-Slip Pro.

What makes it unique? The entire resulting surface is more slip-resistant, not just individual areas of it. And: you can't see the functionality on the area. The puristic design of our exclusive shower areas and trays is preserved. We have, of course, had our anti-slip finish tested by independent external laboratories and the TÜV. Anti-Slip Pro complies with rating group B for wet-loaded barefoot areas as per DIN 51097 and rating class R10 for anti-slip properties in workrooms and working areas with an increased risk of slipping as per DIN 51130. So Anti-Slip Pro provides additional safety in the bathroom and at the same time offers standard slip resistance. The system can be easily tailored to individual needs and design specifications. Also good to know: the Glaze remains extremely strong and exceptionally resilient. Like all our surfaces, Anti-Slip Pro is exceptionally easy to clean. 

 
 
In DEVICE Tags innovations, Collection No. 227
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Locality

January 18, 2021

Delbrück by Device

“Delbrück. What others hear: provincial. What we hear: free space. We think that Delbrück sounds like entrepreneurial provenance. Like a place where we can perfectly combine Westphalian craftsmanship and engineering skills. And while it may not be the hub of the world, it has been our family company’s home since 1952. We're proud of this deep rootedness. It stands for the best quality, a high environmental awareness, and responsibility for the people who work for Bette. And grown partnerships with other companies in our region who share our values and attitude.

What you have always wanted to know about Delbrück.”

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All that is made abroad is an excellent reputation.

Made exclusively on site in Delbrück where top craftsmanship and engineering skills, careful production and technical sophistication are perfectly merged.

HomeWestphalian craftsmanship combined with engineering skills on site in Delbrück. All our enamelled titanium steel elements are made here, and nowhere else.

Home

Westphalian craftsmanship combined with engineering skills on site in Delbrück. All our enamelled titanium steel elements are made here, and nowhere else.

QualityRely on premium quality guaranteed for 30 years.

Quality

Rely on premium quality guaranteed for 30 years.

PerfectionA production process perfected over decades enables the creation of spectacular forms that are also exceptionally resilient: technical sophistication combined with perfect craftsmanship.

Perfection

A production process perfected over decades enables the creation of spectacular forms that are also exceptionally resilient: technical sophistication combined with perfect craftsmanship.

NetworkUnited in development partnerships with other local companies in the region with common values and attitudes.

Network

United in development partnerships with other local companies in the region with common values and attitudes.

Raw MaterialsMaterials that are what they look and feel like. For over 60 years: the natural materials glass and steel.

Raw Materials

Materials that are what they look and feel like. For over 60 years: the natural materials glass and steel.

PurismIntelligent minimalisation can make many things in life easier and better. A plea for purism follow in  product design. Forthright. Honest. Delbrück by Device.

Purism

Intelligent minimalisation can make many things in life easier and better. A plea for purism follow in product design. Forthright. Honest. Delbrück by Device.

 
Copyright © Stadt Delbrück - City of Delbrück

Copyright © Stadt Delbrück - City of Delbrück

“Delbrück may not be the hub of the world, but it has been our family company's home since 1952. An ode to a very special town in East-Westphalia.”

Copyright © Stadt Delbrück - City of Delbrück

Copyright © Stadt Delbrück - City of Delbrück

Copyright © Stadt Delbrück - City of Delbrück

Copyright © Stadt Delbrück - City of Delbrück

Copyright © Stadt Delbrück - City of Delbrück

Copyright © Stadt Delbrück - City of Delbrück

 

“Delbrück is the place where we can best combine Westphalian craftsmanship and engineering skills. Some of our staff have been with us for 30 years and more. This commitment is evident in the technical precision of our products, the sustainability of our designs and the reliably quality of our goods.

The loyalty of our staff gives us the freedom to think outside the box, to experiment and to follow up new ideas.

There are many local craft business and grown industrial companies in the region whose values and attitudes we share. “

“Some people also claim that the area produces the best asparagus in the world. That’s due to the warm, sandy soil and the groundwater conditions.”

Copyright © Stadt Delbrück - City of Delbrück

Copyright © Stadt Delbrück - City of Delbrück

In DEVICE Tags innovations, Collection No. 226, Collection No. 227, Collection No. 228
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Finely Edged

January 18, 2021

Finely Edged by Device

An 8 millimetre folded rim with an edge on perfection: The most filigree folded edge ever made in titanium steel — enables the optimum flush-fit installation of LUX, LOFT and STARLET SPIRIT, and with that a subtly minimalistic, modern look.

When everything superfluous is cast aside, only perfection remains. And when we reduce things to the essential, the details become more important.

Refined edges that merge smoothly and effortlessly with each other.

The clearer the design language, the more the focus is on the material. In the case of glazed titanium steel the material surprises with its unexpected lightness and luxury. With these delicate outer edges, the elements blend virtually seamlessly with their surroundings — 8 millimetres of perfection by reduction.

Flawless craftsmanship down to the detail even as fine as the 8 millimetre folded rim — accomplished with tremendous heat, pressure, energy and skill.

250 TonsThe weight of about 50 elephants is the amount of pressure used to stamp the folded rim.

250 Tons

The weight of about 50 elephants is the amount of pressure used to stamp the folded rim.

1000 TonsThe total load on the steel when the interior is being deep-drawn.

1000 Tons

The total load on the steel when the interior is being deep-drawn.

45 kgThe weight of a bath with the folded rim.

45 kg

The weight of a bath with the folded rim.

26 stepsThe production department takes to perfectly shape these exquisitely edged fixtures.

26 steps

The production department takes to perfectly shape these exquisitely edged fixtures.

40 SecondsThe time it takes to complete the whole stamping process.

40 Seconds

The time it takes to complete the whole stamping process.

250 μgThe thickness of the enamel layer — Bette Glaze ®— nonetheless extremely strong and really tough.

250 μg

The thickness of the enamel layer — Bette Glaze ®— nonetheless extremely strong and really tough.

6 kgThe weight of a washbasin with the folded rim.

6 kg

The weight of a washbasin with the folded rim.

850°The temperature at which steel and glass blend permanently in enamelling the flawless finish.

850°

The temperature at which steel and glass blend permanently in enamelling the flawless finish.

 
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In DEVICE Tags innovations, Collection No. 226, Collection No. 227, Collection No. 228
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Facility

January 18, 2021

Quality by Device

Man and machine working together intelligently: our facility in Delbrück. Around 380 people at work, with some 160 of them involved manufacturing the enamelled titanium steel products. With the facilitation of huge steel presses and articulated robots. A veritable hive of activity, usually in several shifts.

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Using its own forming technique since the 1970s, the company simply didn't have the money for an off-the-peg system — for mass-produced goods. So it opted for its own machine concept, universal and flexible, and stands by that choice to this day.

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Production 0000.jpg

The forming technique enables production of some 35 million different model, size and colour combinations in the shortest possible time — to opt for design, for premium, and for baths that are made to measure. The company can also manufacture a single one-off item at any time.

Production 01.jpg
Production 02.jpg

The special deep-drawing process allows the titanium-finished steel sheets to flow into the mould slowly and precisely. The result is a strong almost uniform thickness that saves resources and is highly exclusive.

Production 03.jpg

The manual work starts in the manufacturing facility and grinding shop. Anything that cannot be deep-drawn is shaped and sized by hand. Not a job that can be done by just anyone; it takes many years of experience. The welders and grinders work with absolute precision.

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Production 05.jpg

There's a powdery warmth in the enamelling works. In the robotic ballet, spray nozzles evenly apply the layers of enamel to the forms — in a precisely detailed choreography. The top and colour layers are applied in a wet-in-wet technique after the base glaze.

Production 06.jpg

This production process, which has been perfected over decades, enables us to create spectacular forms that are also exceptionally resilient: 

Technical sophistication combined with perfect craftsmanship.

At our works, we also manufacture, by hand, exclusive special models ranging from special size to bathrooms for cruise ships The factory also serves us both as a design lab and as a field for experimenting with new ideas and developments. But above all, it is the loyalty of our staff that gives us the special freedom to think outside the box. Another reason why we love our entrepreneurial home so much.

Finishes.jpg
 
In DEVICE Tags innovations, Collection No. 226, Collection No. 227, Collection No. 228
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Up & On Deck

Up & On Deck
Collected Works Joan Goldin
Collected Works Joan Goldin
about 2 years ago
Final Days: Forms of Nature, Flinn Gallery, Greenwich Library
Final Days: Forms of Nature, Flinn Gallery, Greenwich Library
about 2 years ago
The Goldkorn Variations: a trilorgy, Leslie Epstein
The Goldkorn Variations: a trilorgy, Leslie Epstein
about 3 years ago

Newswire

press releases & placements

 

INTERVIEW WITH CHRISTOPHER RICKS ABOUT THE LYRICS Dylan Review Vol. 1.2. Winter 2019, Interviews Christopher Ricks spoke to DR about The Lyrics., co-edited in 2014 with Lisa Nemrow and Julie Nemrow of Un-Gyve Press. "There are great American traditions of pretending that the printed page is a performing art, so Whitman goes on and on revising, and Henry James goes on and on."

INTERVIEW WITH CHRISTOPHER RICKS ABOUT THE LYRICS Dylan Review Vol. 1.2. Winter 2019, Interviews

REREADING RANSOM             Wyatt Prunty     Kenyon Review July/August 2017   "Ransom’s poems are the subject at hand. They have been reprinted in an elegantly produced Collected Poems. Any reader who opens this book will want to own it."

REREADING RANSOM Wyatt Prunty July/Aug 2017 issue of the Kenyon Review

REREADING RANSOM Wyatt Prunty July/Aug 2017 issue of the Kenyon Review

HARVARD REVIEW Inside the Book feature WITH A CUBAN SONG IN THE HEART Iván Acosta "The music in this collection informs and interacts with every moment in With a Cuban Song in the Heart...."

HARVARD REVIEW

HARVARD REVIEW

Azteca News Miércoles 12 de Abril de 2017 Sección Literaria CON UNA CANCION CUBANA EN EL CORAZON Por Iván Acosta Editorial UN-GYVE PRESS —"Un texto para apreciar, para obsequiar y para disfrutar."

Azteca News 

John Crowe Ransom’s Quarrel with Himself The Hudson Review Spring 2016 (Volume LXIX, No. 1) Robert Archambeau — "Almost thirty years ago, Ransom’s biographer Thomas Daniel Young spoke of the urgent need for a variorum edition of Ransom’s poetry, and only now, with the appearance of Ben Mazer’s Collected Poems of John Crowe Ransom, do we have one. It is a shame that it took so very long for someone to answer Young’s call, but it is a boon to all who care for
Ransom’s work that Mazer was the one to do so: his scrupulously
edited book includes all of Ransom’s textual variants in detailed
end notes."

THE HUDSON REVIEW

Classic Ransom The Hopkins Review Volume 9, Number 1, Winter 2016 Ryan Wilson — "Certainly, lay-readers and scholars alike, both of the present and of the future, owe Mr. Mazer a debt of gratitude for his formidable editorial achievement."

The Hopkins Review

The Hopkins Review

Poet of the Violent and the Chaste  The New York Review of Books Helen Vender April 21 2016 Issue —  Ben Mazer, editor The Collected Poems of John Crowe Ransom (Un-Gyve Press) "...painstakingly edited and well introduced by Ben Mazer...."

The New York Review of Books

By foul subtraction
John Greening
04 November 2015
Literature & Poetry TLS
—  Ben Mazer, editor The Collected Poems of John Crowe Ransom (Un-Gyve Press) “has done us a great service in producing this mighty and handsome Collected Poems....” 

The Times Literary Supplement

Alex Shakespeare "On in Prose"  FALL/WINTER 2015 Volume 8.1 Literary Matters — “Each one of the book’s forty-two patchwork pieces is brief, but the effects are wide and deep.” Kasia Buczkowska's in Prose, Un-Gyve Press. 

 

‘Paris’ memories APRIL 18, 2015 Boston Globe — “Marian Parry’s The Paris Book (Un-Gyve Press) is an exquisitely drawn love story that dates back to her childhood....”                    Jan Gardner   

ILLUSTRATION BY MARIAN PARRY

WINTER-SPRING 2015 Bostonia “In the Service of Bob Dylan’s Genius — The Lyrics is an elegant, outsized tribute to the Bard” Susan Seligson

Editors of The Lyrics (from left) Lisa Nemrow, Julie Nemrow, and Christopher Ricks. Photo by Cydney Scott


Feb. 19, 2015 Issue

New York Review of Books: “Bob Dylan’s Genius” — The Lyrics. as never before “has so meticulously and so brilliantly set these words in lines and stanzas, which remind us that some of the greatest lyric poems, from Shakespeare and Thomas Campion and George Herbert to the Child Ballads and beyond, are written accommodations of performance.”

The Lyrics. Since 1962

The Lyrics. Bob Dylan in GQ Magazine among Literary Editor Olivia Cole’s selected best of the year

The Lyrics. Since 1962 

GQ UK

The Lyrics. Bob Dylan in The New Yorker: Nine Great Poetry Books of 2014

The New Yorker

The Lyrics. Since 1962, Bob Dylan, a TLS Book of the Year.

The Times Literary Supplement


January 2015
The Paris Book: Select Morsel

News Parisiennes


BOSTON, Oct. 8, 2014 /PRNewswire/

Un-Gyve Press to Publish Selected Poems of Greg Delanty

A sense of vital, actual experience is in fact wonderfully sustained in Delanty's verse in its notable linguistic energy, product of a distinctive fusion ...

Oct 07, 2014, 14:05 ET

Un-Gyve Press to Publish With a Cuban song in the heart by acclaimed playwright, Iván Acosta

Rich in sentiment, anecdote and history, it is a sincere and authentic book which will inform and delight its readers. I recommend it with enthusiasm. 

—Oscar Hijuelos

 October 8, 2014 | Rolling Stone
Every Bob Dylan Lyric Ever to Fill 13-Pound, 960-Page Book
By Kory Grow

Bob Dylan's lyrics will be compiled in the new book The Lyrics: Since 1962                 John Cohen/Getty
 

Oct 07, 2014 2:33 PM

The Most of Bob Dylan
By ALLAN KOZINN

When music fans in the 1960s described Bob Dylan’s songs, in terminology of the day, as “heavy,” they didn’t know the half of it.

The Lyrics. Since 1962 in New York Times

Oct 02, 2014, 14:01 ET

Un-Gyve Press to Publish Views of the Haunts and Homes of the British Poets, Oct. 19 1850 

From our Un-Gyve archives, an original sequence of thirty-nine small watercolours by an unknown artist, the home or haunt and the poet being...


Sep 25, 2014, 16:21 ET

Un-Gyve Press to Publish Collected Poems of John Crowe Ransom edited by Ben Mazer 

Of the tread of the dark wood mold and turfy rye, / Rich smell of horse in his nostril, wind in his eye, – from "In Air,"...

Sep 25, 2014, 08:00 ET                    

Three Talks by Christopher Ricks THE KOSCIUSZKO FOUNDATION 15 EAST 65th STREET, NYC | 7:30PM 

Jun 18, 2014, 15:32 ET

Mark Chester's Touring Exhibit Twosomes at the Reykjavik Museum of Photography

 Mark Chester's Twosomes touring exhibit and award-winning companion book from Un-Gyve Press represents images culled from his...

May 29, 2014, 20:35 ET

Un-Gyve Press Publishes The Paris Book by Marian Parry

 In 1952 Ben Shahn said to Marian Parry, "Marian, make the most beautiful book you can and I'll take it to Curt Valentin." She made The Paris...

May 13, 2014 - The Pursuitist: 
Marian Parry’s ‘The Paris Book’ Published After 60 Years

In 1952, Marian Parry presented her editor Curt Valentin with The Paris Book, a series of illustrations depicting the French capital during the ...


May 29, 2014, 19:23 ET

Un-Gyve Press Publishes in Prose by Kasia Buczkowska

 Kasia Buczkowska is a writer and translator in New York City, who writes very short fiction in Polish and English. She studied English...

REALITY CHECK - Dave Fries’ Top 10 Albums Of 2013

December 2013 Eric Harabadian on REALITY CHECK for Jazz Inside 

‘“Masters of musical dialogue”; that’s how leader Greg Hopkins describes his creative cohorts on this album. And who could dispute him? It’s evident from the first note that there is a rich connection that’s taken place throughout these recording sessions and between the participants involved. This record, essentially, is about seasoned vets that have nurtured their sound for a significant amount of time. And here are the results of their diligent road work and artistic commitment....’

BOSTON, Nov. 1, 2013 /PRNewswire/

Un-Gyve Press Publishes Some Complicity: Poems and Translations by Harry Thomas

BOSTON, March 28, 2013 /PRNewswire/

Reality Check - The Greg Hopkins Quintet + One - New #Jazz Album: April 1 Release on Un-Gyve Records

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